Damascus taken aback by Bugge Wesseltoft

Bugge Wesseltoft
Photo: Bassam al-BaderPhoto: Bassam al-Bader

The Norwegian jazz pianist Bugge Wesseltoft, who visited Syria for the first time, gave a concert in the Damascus Opera House on 12 May. The concert, which was almost fully booked and attracted curious spectators of all ages, was a great success. Wesseltoft impressed his Damascene audience with an original combination of solo piano and electronic music.

Wesseltoft arrived in Damascus after a concert in Beirut on 10 May, which similarly attracted a lot of attention. The event was organized by Liban Jazz and co-sponsored by the Norwegian Embassy. Wesseltoft is one of Norway’s most influential jazz musicians and has been a prominient figure on the international jazz scene for almost twenty years alongside artists such as Jan Garbarek, Nils Petter Molvær and Sidsel Endresen.

During his concert in Damascus Wesseltoft performed pieces from his new album “Playing”, wich is a follow-up to his first solo album, “IM”. The concert program included the title track “Playing”, “Singing” and a unique rendering of the Dave Brubeck classic “Take Five”. Wesseltoft’s music is largely based on improvisation, and his live performances are thus very creative. Many of the sounds produced during the concert were unique live recordings which echoed Wesseltoft’s piano and hand-drums. Some of the climactic moments combining piano solo, drum machines and electronic music were irresistibly animated, and Wesseltoft’s ability to play the piano and direct the hardware at the same time was very impressive.

The mixture of calm piano pieces, electronic music and African rythms dazzled the audience and left a lasting impression. Wesseltoft’s warm and easy-going personality charmed those who gathered to meet him and ask for his signature after the concert.


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